It is apparent a significant upgrade has taken place in the past several days. I performed a stress test on a concept track and the results were INSANE.

I have been a Suno power user practically every day since October (my Suno workspace folder says 56,000 song/replacements/ extensions generated lol.)

It is apparent the platform has been quietly updated in the past few days.  I noticed a significant improvement in sound quality being generated yesterday, so I decided to start a fresh concept track I’ve been writing.  

I did an unofficial “stress test” between 53 second mark and 2:40 of the track, and threw the kitchen sink of my hardest prompts at it. 

What happened was INSANE.  Over 1,000 different replacement sections / extensions were used to build the final track.

(Track I tested for those curious):

https://suno.com/song/344661e4-37f0-405d-b658-c6373b76f58b?sh=Jv4ur6Op2MK68d4a

**Updated Final Track with remastered Second verse based on feedback**

https://suno.com/song/4a682840-3b31-4248-b534-b41902717134?sh=FHAXTjcnkNQbEAqe

After many high level prompts I threw in, it was evident the song was implementing all of these very effectively in the track and are noticeably present in the mix.  I can’t say that has ever happened before.

The results it came back with were ASTONISHING to listen to.  Below are the end results I’ve never seen before, in crystal clear audio with no shimmer anywhere. At all.  I encourage everyone to try out some cool new stuff with their songs. This is a game changer.

-An absolutely insane ‘blade runner’ style synth attack wave which I’ve never heard before. (Starts at 0:50 in track)

-Menacing Vocoder “tunnels” with lyrics traveling through and spitting out with a simultaneous bass drop at the other end. (Starts at 2:01)

-Vocoder growl riff / breakdown (starts at 1:37)

-Audible layers are present when promoting for lush background harmonies with no distortion, shimmer or crackling.

-side chained drum kicks.

-Crystal clear studio quality sound.

-THUMPING bass from the 808 drums that I can feel the kick through my headphones.

Prompts I used: 

[Juno synth triangle wave, low-pass at 100 Hz, slow attack, sub-oscillator on]

[Play sparse bassline in C1–G2, root notes with occasional glide]

[Apply large hall reverb 50% wet, EQ highs off above 200 Hz, level to -18 dB]

[Add light chorus, slight detune, sidechain to kick, pan 15% off-center]

[menacing vocoder growl, lyrics travel through bridge transition]

[Minor Chord Stacks]

[Layer minor triad [e.g., Cm: C-E♭-G] with an extra note like the 7th [B♭]or 9th D]

[Use warm synth pad or pitched-down vocal chops. Keep it low in the mix, around 100–300 Hz, to sit under the growl.]